00:00	This composition follows a standard AABA form. It begins with the horns (trumpet, trombone, tenor saxophone and alto saxophone) playing the first A section. Notice how the head is contributed to collectively as each instrument is responsible for different melodic details.
00:11	Head repeats (second A).
00:23	The bridge (B section) makes use of some accented chord dissonances typical of Monks playing. Notice how this bridge section prepares for the return to the head.
00:34	Return to the head (final A).
00:45	Bass solo with light piano and drum support. Listen for the same AABA structure which is maintained during this solo.
00:58	Second A section.
01:08	Bridge (B section).
01:19	Final A section of the bass solo.
01:30	New AABA chorus features a duet between Wynton Marsalis on trumpet and Wessell Anderson on alto saxophone. The soloists improvise collectively responding to one anothers melodic statements and trading off between the leading melody and a supporting counter melody.
01:42	Second A section. 
01:53	Bridge (B section). Notice the saxophones use of a short melodic motive to support Marsalis solo.
02:04	Final A section returns to collective improvisation.
02:16	Return to the head. Notice the dissonance of the head which is a trademark of Monks style.
02:27	Repeat of A. Monk also had an angular sense of melody which is evident in this theme.
02:39	Bridge (B section) which has an even more elevated level of dissonance.
02:50	Final repeat of the A section to close the piece.
03:01	Final chord.
03:04	End.